A Master's Thesis by Sophia Haase

Index


Thesis Focus

This thesis explores how nostalgia can be used as a tool to encourage hand engagement and reconnect people with the physical world. In an age defined by speed, screens, and instability, people turn to nostalgic aesthetics as a form of comfort. This project argues that nostalgia is most meaningful when it leads to physical engagement and analog experiences.

We live in a screen-dominated world where most of our daily actions happen through glass. In order to make our lives more efficient, the current design takes away friction, and with it the opportunity for tactile, embodied experiences.

WE HAVE FORGOTTEN THAT OUR HANDS ARE OUR MOST USEFUL TOOL!

Our heightened interest in older objects and practices reflects a response to our frictionless, screen-dominated world. In these times of uneasiness and instability, nostalgia helps people reconnect with something grounding.

And that's where my opportunity area comes in!

To move beyond nostalgia as merely decoration, by using it as an emotional and visual entry point, for encouraging physical engagement, practice, and hands-on interaction.


About Me

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Sophia Haase is a product designer currently pursuing an MFA in Products of Design at the School of Visual Arts. She earned her Bachelor's degree in both graphic design and fine art from Marist College, where she cultivated her passion for creating visually engaging work. With a love for printmaking and sculpture, Sophia’s fine art influences shine through in her 3D product designs, bringing artistry and innovation to every project. Her deep appreciation for typography adds a thoughtful and distinctive layer to her creations. Sophia’s designs celebrate the intersection of artistry and functionality.

Website | LinkedIn


Acknowledgements